Art, Science, & Soap Bubbles, According to Santiago Betancur Z
Photographer and painter Santiago Betancur Z explores the intersection between science and abstract art in his photographic studies of bubbles, as well as producing life-size figure painting. In his photographs and video recordings, Betancur Z captures imagery of soap bubbles against dark backgrounds, showcasing the random kaleidoscopic color and light effects produced by the delicate spheres, and the chance allusions that occur in their surfaces, such as in Scream (2013), whose ghostly forms recall Edvard Munch’s.
Photo by Michael O’Neal from San Francisco, US – first place in the animals category
Q and Answer: Where’s My Waist? Where Should My Jacket Button?
Wyatt asks: I’ve heard said both on your blog and elsewhere that a jacket should button at one’s natural waist (about at the belly button) but I’ve had a devil of a time finding jackets that fit me this way. Is a higher buttoning point a current trend?
And, while we’re discussing the waist, since it also seems that one’s trousers should sit at or close to one’s natural waist, does that mean that the platonic ideal of a suit would have the jacket buttoning at the belt-line?
That’s quite a question, Wyatt. But we can answer it.
Let’s start by getting one thing straight: your waist is not at your navel. Your waist is at the top of your hips.
Finding Your Waist
Make your hand flat, and karate chop your hip with the edge. Then drag that edge of your hand up your side. When the bone ends and your body goes inward, that’s your waist. You may carry some weight on your love handles that makes this a little harder to feel, but you’ll find it. For most people, the waist is a couple inches above the navel.
Take a look at Luciano Barbera above: he’s wearing a very classically-proportioned suit. I’ve used my spectacular art skills to point to his waist, and to draw the side of his body with perfect realism. His tie obscures it slightly, but you can see that even with his coat splayed by his hands, his beltline and buttoning point converge at his waist, and you can’t see his shirt below that point.
Fashion has not followed these rules, of course. In the past ten or fifteen years, the rise of trousers (the distance between waistline and crotch) has gotten much smaller. Your pants waist has moved down several inches from your natural waist. Many pants these days barely cover your pubes.
Meanwhile, the buttoning point of jackets has been moving the opposite direction: up towards the sternum. It’s not uncommon to find the functional button on a coat two or three inches above the waist. Press the button on one of these coats, elevator-style, and you’ll feel it in your solar plexus.
Fashion is fashion, and in fashion things change because things change. That’s fine. But there are some practical aesthetic issues with these changes.
Depending on your shape, you can get away with all this stuff. Currently fashion favors a slim, youthful silhouette over a more athletic or portly one. No matter what your silhouette, though, you can end up with a weird triangle of fabric under your coat button and above your belt, which is just plain goofy-looking.
The shape of a coat is meant to flatter and emphasize a man’s natural shape, so the further that button gets from the place an ideal man’s body is naturally narrowest, the more difficult it is to do that.
The lower the trouser waist gets, the more difficult the pants are to wear, and the more difficult it is to hang them flatteringly - soon all that’s holding them up is some friction and your butt.
So: make your choices advisedly. Rules are made to be broken, but they were put in place for a reason.
"Courage the Cowardly Dog - Night of the Weremole" (1999)
Italian artist Andrea Mastrovito constructs incredible collage installations using illustrations cut from thousands of books, transforming empty rooms into vibrant, densely populated paper dioramas. Thus far he has created two different versions of his installation: The Island of Dr. Mastrovito in 2010 (comprised of illustrations cut from 1,100 books) and The Island of Dr. Mastrovito II, 2012 (comprised of illustrations cut from 1200 books), both of which play on H. G. Wells' novel The Island of Doctor Moreau.
"His starting points for this site-specific work are the two most common forms of home recreation—books and television. The title of his installation refers to H. G. Wells’ famous novel The Island of Doctor Moreau, in which the archetypal “mad” scientist experiments upon animals in order to give them human traits. In this “Island,” the artist substitutes himself for the doctor, trying to instill a new life into that which was once alive in a different way (books from paper, paper from wood, and wood from trees). Mastrovito imagines that the outside fauna take control of the abandoned house and become its proper inhabitants."
These are beautiful islands of colorful paper creatures. Visit Andrea Mastrovito’s website to explore more of his amazing artwork.
[via Laughing Squid]